Coming of age in the British capital during the noughties, I was constantly immersed in a world of suits. You saw them on City financiers hurrying through the Square Mile. You could spot them on fathers in the city's great park, playing with footballs in the golden light. Even school, a cheap grey suit was our mandatory uniform. Traditionally, the suit has functioned as a uniform of seriousness, signaling authority and performance—traits I was told to embrace to become a "man". However, before lately, people my age appeared to wear them less and less, and they had all but disappeared from my consciousness.
Subsequently came the incoming New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony dressed in a subdued black overcoat, crisp white shirt, and a notable silk tie. Propelled by an innovative campaign, he captivated the public's imagination unlike any recent contender for city hall. But whether he was celebrating in a hip-hop club or appearing at a film premiere, one thing was largely constant: he was frequently in a suit. Loosely tailored, contemporary with unstructured lines, yet conventional, his is a typically middle-class millennial suit—well, as typical as it can be for a generation that seldom bothers to wear one.
"This garment is in this strange place," notes men's fashion writer Derek Guy. "Its decline has been a gradual fade since the end of the second world war," with the real dip coming in the 1990s alongside "the rise of business casual."
"It's basically only worn in the most formal settings: marriages, memorials, and sometimes, court appearances," Guy states. "It is like the traditional Japanese robe in Japan," in that it "fundamentally represents a custom that has long retreated from everyday use." Numerous politicians "wear a suit to say: 'I represent a politician, you can trust me. You should vote for me. I have authority.'" But while the suit has historically conveyed this, today it performs authority in the hope of winning public confidence. As Guy elaborates: "Because we are also living in a democratic society, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a subtle form of drag, in that it enacts manliness, authority and even proximity to power.
This analysis stayed with me. On the infrequent times I need a suit—for a ceremony or formal occasion—I retrieve the one I bought from a Tokyo retailer several years ago. When I first picked it up, it made me feel sophisticated and expensive, but its slim cut now feels outdated. I imagine this sensation will be all too recognizable for numerous people in the global community whose families come from other places, particularly developing countries.
Unsurprisingly, the everyday suit has fallen out of fashion. Similar to a pair of jeans, a suit's silhouette goes through cycles; a particular cut can thus characterize an era—and feel rapidly outdated. Consider the present: more relaxed suits, reminiscent of a famous cinematic Armani in *American Gigolo*, might be trendy, but given the price, it can feel like a significant investment for something likely to fall out of fashion within five years. But the appeal, at least in some quarters, persists: recently, department stores report tailoring sales rising more than 20% as customers "shift from the suit being daily attire towards an appetite to invest in something exceptional."
The mayor's go-to suit is from a contemporary brand, a European label that retails in a mid-market price bracket. "He is precisely a reflection of his background," says Guy. "In his thirties, he's neither poor nor extremely wealthy." Therefore, his mid-level suit will resonate with the demographic most inclined to support him: people in their thirties and forties, college graduates earning middle-class incomes, often frustrated by the cost of housing. It's exactly the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits arguably align with his proposed policies—which include a capping rents, constructing affordable homes, and free public buses.
"You could never imagine a former president wearing Suitsupply; he's a luxury Italian suit person," observes Guy. "As an immensely wealthy and grew up in that New York real-estate world. A power suit fits naturally with that tycoon class, just as attainable brands fit naturally with Mamdani's cohort."
The legacy of suits in politics is extensive and rich: from a former president's "controversial" beige attire to other world leaders and their suspiciously polished, tailored sheen. As one British politician discovered, the suit doesn't just clothe the politician; it has the potential to define them.
Maybe the point is what one scholar refers to the "performance of banality", invoking the suit's long career as a standard attire of political power. Mamdani's specific selection taps into a deliberate modesty, not too casual nor too flashy—"respectability politics" in an unobtrusive suit—to help him connect with as many voters as possible. But, some think Mamdani would be cognizant of the suit's military and colonial legacy: "This attire isn't apolitical; scholars have long pointed out that its contemporary origins lie in military or colonial administration." It is also seen as a form of defensive shield: "I think if you're a person of color, you might not get taken as seriously in these traditional institutions." The suit becomes a way of asserting credibility, particularly to those who might question it.
Such sartorial "changing styles" is hardly a recent phenomenon. Even historical leaders previously wore formal Western attire during their early years. These days, certain world leaders have started exchanging their usual military wear for a dark formal outfit, albeit one without the tie.
"Throughout the fabric of Mamdani's public persona, the struggle between belonging and otherness is apparent."
The attire Mamdani selects is highly significant. "Being the son of immigrants of Indian descent and a progressive politician, he is under scrutiny to conform to what many American voters expect as a sign of leadership," says one expert, while simultaneously needing to walk a tightrope by "avoiding the appearance of an elitist selling out his non-mainstream roots and values."
But there is an acute awareness of the different rules applied to who wears suits and what is interpreted from it. "This could stem in part from Mamdani being a millennial, able to adopt different personas to fit the occasion, but it may also be part of his diverse background, where code-switching between languages, traditions and attire is typical," it is said. "Some individuals can remain unremarked," but when others "seek to gain the power that suits represent," they must meticulously navigate the expectations associated with them.
Throughout the presentation of Mamdani's public persona, the tension between somewhere and nowhere, insider and outsider, is evident. I know well the awkwardness of trying to fit into something not built for me, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's style decisions make evident, however, is that in public life, appearance is not neutral.
Urban enthusiast and writer passionate about sustainable city living and cultural exploration.